Understanding the ‘alt-right’ as an assemblage

In a recent article on Jezebel, the Eidolon editor Donna Zuckerberg discussed the rise of the notorious hate movement now known as the “alt-right”. On the issue of tackling online abuse, she argued that “[t]he only way to understand the alt-right is to [stop] thinking of it as a single monolithic entity and realize that it is a fragile coalition of hateful ideologies, of deplorable men using the internet to perform white masculinity by playacting as Nazis to feed on our fear”.

The spectre of the alt-right has been the focus of many left-leaning and progressive interventions throughout the past year. It is both everywhere and nowhere at once, permeating all aspects of western culture while also establishing no firm or actual political identity. Zuckerberg writes that one of the problems of the movement is that it can appear formless and “hard to pin down”. At the same time, however, she insists that “its lack of a coherent and stable ideology is also a tremendous weakness, fomenting internal friction within the community, and may lead to it splintering completely”. What does it mean to embody a contradiction of such tremendous scale that it can be both a source of strength as well as the cause of one’s undoing? More importantly, how can we place this paradox in the context of the very real consequences of its normativisation, including racist attacks, policy-making and public discourse?

H.R. Giger – Die Atomkinder
H.R. Giger – Die Atomkinder

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Notes on the creation of something new

In putting together and assembling notes for this new blog, I was struck by a passage from Andrew Culp’s recent breakout philosophy book Dark Deleuze. Writing on the creation of new concepts, Culp notes that for Deleuze “[t]rue thought is rare, painful, and usually forced on us by the brutality of an event so terrible that it cannot be resolved without the difficulty of thought”.[1] Not only is Deleuze’s project informed by a similar destructive strain, Culp argues, but it is necessary to think Deleuze in contrast to the “happy means of construction” of today, which are “conflated with capitalist value, the empty promises of democracy, or just plain helpfulness”.[2]

The severing of the old connection allows one to make new connections. This is something we learn after the painful experience of our first break-up. It is something we continue to learn with every subsequent break-up. The connections we make are always ones we intend to keep, but seldom do. We continue to grow, to outlive our worst mistakes.

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Pierre Bonnard – Le bain (deuxième planche)

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